So far, Moroccan ceramics are known for their complex geometric designs. Many craftsmen often use mathematical formulas in order to produce good work when designing this tile http://carpetcarespecialists.biz. In essence, the ceramic design depends on the concept of symmetry and also the repetition of patterns to cover large areas such as floors and walls. Although this kaleidoscope pattern seems complicated, the fact is that not all Moroccan tiles are always very patterned. Aside from that, when your tiles become full of stains, you can always call the best company of Tile Cleaning The Hills.
For example, the arabesque form or often known as Arabic motifs. This motif looks very elegant with solid colors or carved tiles. If you are still confused about finding tile motifs for your home, you might be able to rely on some of the following ceramic examples:
This is a traditional tile form from the 14th century. This tile is very typical of Morocco. Actually, Zellij is a ceramic tile made from small pieces of ceramic put together. Usually, the craftsmen make these ceramics manually and carve small pieces of ceramic that have been broken with enamel terracotta tiles.
To make larger tiles, craftsmen usually make compact arrangements. So a tile will be matched with another tile so it looks like a puzzle.
One of the attractions of terracotta tiles is that they look glazed. In addition, this Moroccan tile also captivates from its inconsistencies in shape, texture, size, and glass which are all made by hand.
In the form of Islamic art, figural representations of living things are indeed not permitted. Therefore the arabesque pattern appears as a style reference for vines, flowers, leaves, and others.
For example, turquoise Arabic tiles are often used on the backsplash of the stove. This ceramic can add a surprise color in the kitchen if the color of the room is not neutral. But the thing to remember in using this tile is if the arabesque tile is installed in the corner of the recurring pattern.
The tile should ideally end on the ceramic edge or ceramic midpoint so that the pattern can continue smoothly on a nearby wall.
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